Reviews: Essays on Cinema

This book is a collection of essays--film reviews for the most part written between 2010 and 2017, or when I was a graduate student pursuing two terminal degrees: first an MFA in Independent Film and Digital Imaging at Governors State University then a PhD in Psychology: Consciousness and Experience at The University of West Georgia. It includes detailed critiques of various movies screened at the Toronto International Film Festival in 2010 and insights into the experiences of attending the festival. The reviews cover many films, from documentaries to dramas, and provide a glimpse into the filmmaker's perspective. Additionally, I share thoughts on the filmmaking process, the challenges of getting films accepted into festivals, and the idea of starting a film festival dedicated to marginalized filmmakers. The book also delves into filmmaking's technical and artistic aspects, emphasizing the importance of storytelling, aesthetics, and mastering the craft.

REVIEWS of Reviews

Reviews: Essays on Cinema, by Robert K. Beshara, is a compelling collection of essays that delve deeply into films and the movie industry. Beshara provides a nuanced exploration of the audience's experience at the 2010 Toronto International Film Festival and examines the ethical implications of the Motion Picture Association of America's (MPAA) voluntary rating system, implemented in 1968. The book scrutinizes works ranging from Henrik Ibsen's An Enemy of the People to Quentin Tarantino's Reservoir Dogs, which Empire magazine hails as "the greatest independent movie ever made." Whether analyzing plays or documentaries, Beshara's essays penetrate the rich layers of film production, touching on psychological and philosophical themes.

Beshara's book not only rekindled memories of some of my favorite films but also introduced me to remarkable works by various talented creators. His in-depth discussions reveal hidden messages, filmmakers' intentions, and other elements that offer readers a deeper understanding of several iconic movies. For instance, Beshara's analysis of Tarantino's Kill Bill presents a fresh perspective, highlighting how the film empowers young girls, a viewpoint I hadn't considered before.
Beyond its examination of films and the movie industry, Reviews offers an intellectually stimulating experience. The book intertwines themes of psychology, surrealism, psychodynamics, quantum mechanics, spirituality, discrimination, and philosophy. Beshara adeptly balances audience reception with the intricacies of film, leading to profound insights into human nature and reality. His observations, such as "It is hard to write about reality without thinking about truth," invite readers to reflect deeply.

Reviews is a treasure for movie lovers, creators, critics, and actors alike. It features captivating characters and creative minds, inspiring both aspiring filmmakers and seasoned professionals. From beginning to end, Beshara's academic and passionate exploration of films provides a thoroughly educational and entertaining experience. As a lifelong movie enthusiast, I recommend this book.

Rating: 5 Stars
Literary Titan

Reviews: Essays on Cinema by Robert K. Beshara analyzes a select collection of films, filmmakers, and concepts with analysis, personal opinions, and thoughtful conclusions. This collection covers topics and films that primarily range between 2010 and 2017 with many subjects taken from viewings at the Toronto International Film Festival. These are also reflections of the author's time as a graduate student with each essay exploring a different topic that ranges from a film, filmmaker, or genre. You can see this reflection through highlighted aspects covering technical behind-the-scenes and artistic vision, showcasing how these elements go into storytelling and set each film apart. A little bit of everything can be found in this book from documentaries to dramas to renowned names. Also featured are the author's thoughts regarding the filmmaking process, film festival challenges, and the goal of celebrating marginalized filmmakers.

The different essays touch upon a wide range of topics from controversy in films to documentaries, each one supported with specific examples supporting the arguments presented. The collection opens with the essay "Ethical Questionability," presenting a case study on a controversial silent film that shows the power films have to influence history, even negatively. This sets the tone for what to expect from each subsequent essay. It is a prime example of a writing style that blends opinion with technical facts, historical support, and artistic expression. Other essays include "Multilayered Structure of Reality," which takes the most philosophical approach and will have you thinking deeper about how you regard film. Additionally, "Roger Waters, Prometheus, and Radiohead" creates similar feelings as we empathize with characters or situations. Several themes are highlighted such as presenting the truth in "An Enemy of the People," freedom of speech and censorship in "Microphone," and studying the past to examine the present in "The Future of Documentary Films." Hal Hartley and David Lynch are two names that Beshara examines in their respective genres. Reviews: Essays on Cinema by Robert K. Beshara is a thought-provoking resource that is useful for film students, individual study, and beginner film critics as it shows how to think deeper, analyze, and draw intellectual opinions on artistry, technical aspects, and genre.

5 stars
Liz Konkel

Synopsis: Essays on Cinema is a heartfelt collection of essays and film reviews encapsulating a transformative exploration and learning period. Written between 2010 and 2017, this book invites you into the vibrant world of film through the eyes of a passionate graduate student navigating the intricate landscapes of both independent film and psychology.
Here, we delve deep into the heart of the Toronto International Film Festival, where cinema's magic unfolds and diverse filmmakers' stories illuminate our shared human experience.
Each essay provides a window into the festival's dynamic atmosphere, offering detailed critiques of an eclectic range of films, from eye-opening documentaries to gripping dramas. The insights shared go beyond mere reviews; they reflect a
journey of understanding the filmmaking process; the hurdles faced in getting films onto the festival circuit, and the vision of creating spaces celebrating marginalized voices in cinema.
Critique: Essays on Cinema emphasizes the power of storytelling, the artistry behind the lens, and the technical prowess required to craft unforgettable narratives. By intertwining personal reflections with professional critiques, this
book celebrates the art of film and inspires readers to embrace their own stories of exploration and discovery.
Robert K. Beshara is a remarkable author whose storytelling prowess offers readers a unique, intimate glimpse into the intricate behind-the-scenes elements of the film industry.
Beshara's writing illuminates the artistry and dedication that fuel the magic of cinema and weaves emotional connections that resonate deeply with his audience. His ability to transport readers into the heart of filmmaking fosters an
insatiable curiosity, making the world of movies feel accessible and enchanting.

Midwest Book Review